Description
THE NEW PIANO ANTHOLOGY
VOLUME 1
KEYBOARD MUSIC OF THE
RENAISSANCE & BAROQUE 1350 – 1750
NOVITIATE LEVEL
Preface
Guiding Convictions
Anthology Structure
Keyboard Music of the Renaissance and Baroque
Editorial Approach
Tablature
Note Values
Clefs
Dance Music of the Renaissance and Baroque
Ornamentation: The Most Common Ornaments of Early Keyboard Music
THE COLLECTION
Anonymous
From the Robertsbridge Abbey Folios; the Oldest Existing Keyboard Manuscript
Estampie (A.D. 1320)
NEUSIEDLER, HANS (1508 – 1563)
Welcher Tantz – Wascha Mesa
PAUMANN, CONRAD (1410 – 1473)
Mit ganzem Willen wündlich ich dir (1452)
DON LUIS MILAN (1500 – 1560)
Pavan (from Libro de Musica, 1536)
MADARRA, ALONSO (1510 – 1580)
Tiento
VALENTE, ANTONIO (1520 – 1581)
From the Intavolatura de Cimbalo, Naples 1576
Gagliarda Lombardo
Ballo Lombarda
AMMERBACH, ELIAS NICOLAUS (1530 – 1597)
Wer das Tochterlein haben Wil
BENDUSI, FRANCESCO (1538 – 1569)
Coresana Padoana
GARDANE, ANTONIO (1509 – 1569)
Le Forze D’Hercole (Collected 1551, author unknown)
GOSTENA, GIOVANNI BATTISTA DALLA (1558 – 1593)
Passamezzo
PASQUINI, ERCOLE (1560 – 1620)
Corrente
Romanesca
BULL, DR. JOHN (1562 – 1628)
The Prince’s Coranto
SWEELINCK, JAN PIETERS (1562 – 1621)
“Soll es sein”
BESARD, JEAN-BAPTISTE (1557 – 1717)
Branle Gay
FRESCOBALDI, GIROLAMO (1583 – 1643)
From Toccate, canzone…di cimbalo et organo, Vol. II
Gagliarda (Aria detto Balletto)
From Il primo Libro d’Intavolatura di toccata di Cimbal et Organo, 1628
Corrente Seconda
Corrente Terza
Corrente Quarta
Anonymous (MID 1500S)
A Galyard
Romanesca Antico
Bergamesca
The Kinges Maske
The Empororse Pavyn
THE BOOKES OF THE RENAISSANCE
The Dublin Virginal Manuscript (Collected A.D. 1550 – 1580)
ANONYMOUS
Almande du prince
Galliard
Branle L’Homme Arme
The Fitzwilliam Virginal Book
BYRD, WILLIAM (1543 – 1623)
The Morris
Ye Soldier’s Dance
Corranto
Jigg
The Mulliner’s Book (c. 1555)
ANONYMOUS
La Bounette
Elizabeth Roger’s Her Virginal Book
ANONYMOUS
The Spaynard
Almayne
An Irish Toy
Selebrand
The Ffinnex
CHAMBONNIERES, JACQUES CHAMPION DE (1602 – 1672)
Sarabande (from Premier Livre, Let Pieces de Clavecin, 1670)
LAWES, WILLIAM (1602 – 1645)
Coranto (from Musick’s Handmaid)
STEENWICK, GISBERT (1605-1679)
Serband
SALVATORE, GIOVANNI (1610-1688)
Corrente Seconda
Corrente Prima
COUPERIN, LOUIS (1626 – 1661)
La Pastorelle
Branle du Basque
D’ANGELBERT, JEAN-HENRI (1629-1691)
Minuet (from Pièces de Clavecin, 1689)
LOCKE, MATTHEW (1631 – 1677)
Rant (from the Fourth Keyboard Suite)
PASQUINI, BERNARDO (1637-1710)
Three Arias
LA BARRE (early 1600s)
Sarabande
BLOW, JOHN (1649 – 1708)
Gavot (from Musick’s Hand-maid)
Ayre
KRIEGER, JOHANN PHILIPP (1651 – 1735)
Rondeau
From Musicalische Partiten, 1697
Minuet (Partita I)
Gavotta (Partita II)
Menuet (Partita II)
Sarabande (Partita III)
SCHULTHEISS, BENEDICT (1653 – 1693)
Sarabande
PACHELBEL, JOHANN (1653 – 1706)
Sarabande
Aria
Fugue in C
Fugue in C
Fugue in C
PURCELL, HENRY (1659 – 1695)
From Musick’s Hand-maid, pt. 2
Minuet
From A Choice Collection of Lessons, 1696
Borry
A New Irish Tune
Prelude
WITT, CHRISTIAN FRIEDRICH (1660 – 1717)
Courante
BÖHM, GEORG (1661 – 1733)
Minuet (from The Notebook for Anna Magdalina)
JACQUET DE LA GUERRE, ELIZABETH (1665 – 1727)
Minuet (from Pièces de Clavecin 1707)
COUPERIN, FRANCOIS (1668 – 1733)
2ième livre de Pièces de Clavecin
Fanfare (pour la Suite de La Diane)
Premier livre de Pièces de Clavecin 6ième ordre
Les Moissonneurs
3ième livre de Pièces de Clavecin 14ième ordre
Le Petit Rien
KUHNAU, JOHANN (1669 – 1772)
Neuer Clarier Übung; Erster Theil
Preludium (Partita V)
Sarabante (Partita IV)
Neuer Clarier Übung; Andrer Theil
Menuet (Partita XIII)
Gavotte (Partita XIV)
MARCHAND, LOUIS (1669 – 1732)
Minuet (from Pièces de Clavecin 1702)
ANONYMOUS
Bourée in g minor
CLARK, JEREMIAH (1674 – 1707)
From The Third Book of the Harpsichord Master, 1702
Minuet T460
The Prince of Denmark’s March
From A Choice Collection of Ayres, 1700
An Ayre
King William’s March
BARRETT, JOHN (1676 – 1719)
From The Third Book of the Harpsichord Master
The St. Catherine Rigaudoon
PETZOLD, CHRISTIAN (1677 – 1733)
From The Notebook for Anna Magdalina
Minuet in G major, BWV Ahn. 115
Minuet in g minor, BWV Ahn. 115
From The Suite in g minor
Corrente
LOEILLET, JEAN-BAPTISTE (1680 – 1730)
From The First Book of Harpsichord Pieces
Hornpipe
Air
Cibel
Minuet
TELEMANN, GEORGE PHILIPP (1681 – 1767)
Fantasia in G major, TMV 33:07
Fantasia in D major, TMV 33:16
DANDRIEU, JEAN FRANCOIS (1682 – 1738)
2ième Livre, Pièces de Clavecin, 1728
Le Petit Maitre
3ième Livre, Pièces de Clavecin, 1734
Le Badin
Premier Livre, Pièces de Clavecin, 1724
L’Empress
MOURNET, JEAN JOSEPH (1682 – 1738)
La Montagnarde
GRAUPNER, CHRISTOPH (1683 – 1760)
Bourrée
Aria (Partita in A major)
Gavotte (Partita in G major)
RAMEAU, JEAN PHILIPP (1683 – 1764)
Pièces de Clavecin, 2ième Livre, 1724
Minuet en Rondeau
Pièces de Clavecin, Premier Livre
1st Sarabande
HANDEL, GEORGE FREDERIC (1685 – 1759)
Gavotte in G, HWV 494
Air en Minuet in d minor, HWV 462
Impertinence, HWV 492
BACH, JOHANN SEBASTIAN (1685 – 1750)
Bourrée in a minor, BWV 1002
Bourrée (from the Suite in A major, BWV 932)
From the Notebook for Anna Magdalina
Chorale, BWV 514
Aria in d minor, BWV 515
Aria in F, BWV 131
From the Suite in g minor, BWV822
Minuet I
Minuet II
Minuet III
ANONYMOUS (once erroneously attributed to J. S. Bach)
Polonaise in g minor, BWV Ahn. 119
Minuet in a minor, BWV Ahn. 120
Musette in D major, BWV Ahn. 126
Minuet in c minor, BWV Ahn. 121
SCARLATTI, DOMENICO (1685 – 1757)
Sonata in c minor, L.217
MOYREAU, CHRISTOPHE (1690 – 1762)
March ‘La Canadienne’ (from Pièces de Clavecin, 2ième livre)
CHELLERI, FORTUNATO (1690 – 1757)
Minuetto (from the 1st Sonata di Galanteria)
TISCHER, JOHANN NICHOLAUS (1707-1774)
First Partita
Allegro Molto
Harlequin
Gigue
BACH, WILHELM FRIEDMANN (1710 – 1784)
Minuett in d minor
KREBS, JOHANN LUDWIG (1713-1780)
Tempo di Minuetto (from Clarier Übung; Theil III, 1744)
BACH, CARL PHILIPP EMANUAL (1714 – 1788)
March (from the Notebook for Anna Magdalina)
**********
Reviews
There are no reviews yet.